PHD PROJECT

Currently I am a Postdoctoral Researcher at Guildhall School of Music & Drama looking at Digital Performance and Production as well as XR technologies for Creative Therapeutics.

Guildhall is a world leading conservatoire located in the City of London at the Barbican Centre.

RESEARCH PROJECT - ARRAY INFINITIVE

GESTURAL AUDIO-VISUALS IN VR

GROUP ALTERED STATE EXPERIENCE

PhD Examiners:

Emeritus Professor David Toop

Professor Sarah Smith

Abstract

Array Infinitive is a practice-based research project that examines audio-visuals and audience experience in virtual reality art practice. This PhD investigates the ways in which art performance in virtual reality (VR) affects and impacts an audience, and to what degree the audience is aware of the live setting whilst immersed in the virtual space. This studio-led work draws upon ambient audio and colourful VR visuals generated, processed, and ‘played’ via gesture to a locally networked audience. Acting as researcher, lead artist, composer and performer throughout this project, I used hand gestures and bodily movements to create sounds and VR particle trails, which broadcast to audience VR headsets in real time. The development of this content for live performance was established and tested in a variety of settings, including both public-facing interactions and controlled research studies.

The aim of this project was to create an altered state of consciousness (ASC) experience through ambient soundscapes and mesmeric VR visuals, which could then be studied to determine if the audience had an awareness that ‘the instrument’, by which I mean sonified and visualised VR-responsive gestures, was controlled by a human. In addition, I have examined and reconfigured the architecture of spectatorship through what I have termed the ‘hybrid-audience’, when Array Infinitive was shown to a mixed crowd, which included observers both in and out VR as part of the same collective.

Methodologically, to understand audience experience in the context of this project, I undertook case studies, research studies and field work to investigate response by way of impact of VR audio-visuals, ASC reaction and gestural performance as a form of instrumentation in VR. This research took place through the Glasgow School of Art with supervision team: Francis McKee (Director, CCA Glasgow), Dr. Marianne Greated (Dept of Fine Art), Ronan Breslin (Dept of Simulation & Visualisation) and Dr James Hutchinson (Fine Art Critical Studies). To measure ASC I utilised the MODTAS and 11D-ASC questionnaires and was advised by Dr David Luke of Greenwich University and Breaking Convention.

This PhD research project builds upon important contributions to the field of performance research and the notion of 'enchantment' presented by Erika Fischer-Lichte, regarding theatre and performance as a spatial, embodied event: something which has energy and sensation. As well as Fischer-Lichte’s exploration of ‘enlivening’ a room into a performance space, live action also widens potentials in perception, according to Fischer-Lichte and expands the relationship between performer and audience. The Transformative Power of Performance (2008) by Fischer-Lichte was a foundational reference. Throughout this research I intended to activate dual spatial planes, both of virtual and real-world dimensions; to create a group experience and to explore affect by way of live audio-visuals. Maaike Bleeker's 'Bodymind' (2022), Shi Ke's, Embodiment and Disembodiment in Live Art (2020), Mieke Bal's Endless Andness (2013) and Jonathan Weinel's Inner Sound, Altered States of Consciousness in Electronic Music and Audio-Visual Media (2019) were also relevant texts for this research. In addition, essays and published papers such as 'An inventory of shimmers' (Gregg & Seigworth, 2010) and 'Group VR experiences can produce ego attenuation and connectedness comparable to psychedelics' (Glowacki, 2022) were also referential material for the thesis. Array Infinitive takes inspiration and reference from many artists who work with a variety of media such as Ann Veronica Janssens, Haroon Mirza, Rashaad Newsome, Hilma af Klint, James Turrell, Jacolby Satterwhite, Pauline Oliveros, Éliane Radigue and Catherine Yass: artists that make work which is less about what it ‘means’ and more about what it ‘does’.

As a result of the Array Infinitive project, it has been ascertained that the fully immersed VR participants were not cognisant that the audio-visuals were being conducted by a human or that it was happening in real-time within their physical environment. The cybernetic is present in this performance piece, through a corporeal, biological conduit, which does not utilise algorithms or artificial intelligence to generate content. The majority of test subjects could not distinguish or innately recognise that the shared AV experience was being driven by a person, and as part of a live proceeding. Furthermore, this project was studied as part of an expanded form of spectatorship, which reconsiders the audience framework and allows room for paradox within a collective event: a multidimensional encounter that deliberately involves isolation, solidarity as well as heterogeneous subject positions and realities simultaneously.

In perpetuity

Leslie Deere

Array Infinitive

4 Person Full VR Experience, mockup.

Larger Group Experience Hybrid-Audience Performance, mockup.

Participatory Experience, Spectators become Performers, mockup.

Science of Consciousness Conference

Array Infinitive was part of the proceedings of the 30th Annual Science of

Consciousness Conference, through the University of Arizona. TSC is an interdisciplinary conference emphasizing broad and rigorous approaches to all aspects of the study and understanding of conscious awareness.Topical areas include neuroscience, philosophy, psychology, biology, quantum physics, meditation and altered states, machine consciousness, culture and experiential phenomenology.

Nyangibo Gallery London

Array Infinitive as part of the Mindscapes exhibition at Nyangibo Gallery, part of Roundhouse London's new Roundhouse Works project spaces. 1-8 December 2023.

BREAKING CONVENTION

OFFICIAL ART INSTALLATION PROGRAMME 2023

Array Infinitive was part of the 2023 Breaking Convention art programame which took place 19-21 April at the University of Exeter.

ALPs Conference on Psychedelic Research

I presented Array Infinitive at the 2023 ALPs Conference at the Bâtiment des Forces Motrices in Geneva in October. Met some amazing people here, neuroscientists, psychotherapists, dance and movement therapists (seen below).

RADIOPHRENIA

Happy to have been a part of the airwaves of Radiophrenia 2023 and collaborated with Tom Mudd. Array Infinitive as a radio project.

I performed Array Infinitive live in situ at the CCA Glasgow in front of an audience which was broadcast live with vignettes of speech interviews and vocal processing by Tom Mudd.

Interviewees included:

Stuart Braithwaite (Mogwai)

Sarah Forrest

David Archibald

Becky Šik

Matthew Docherty

Steven Harrington

Ginny Hutchinson

Lori Rebel

Info about the broadcast:

Colour Organ Cycles, Environment as a Drone

The transmission combined, for the first time, vignettes of speech inspired by Margaret Tait's film Colour Poems; a meditation on Scotland’s changing landscape in the form of short quotes and passages from locals interspersed with live ambient improvisation, created through real-time gestures in the studio. The broadcast referencd Oliveros' humanitarian intentions with listening and 'sonic energy' as she defined it, reconfiguring the subject / object, performer / audience relationship, triggering auditory fantasy, memory and healing.

RADIANCEVR.CO

Happy to announce that Array Infinitive is now part of the Radiance VR Platform. Jump to Radiance profile here.

GLASGOW PROJECT ROOM

Array Infinitive received a residency award and was installed at the Glasgow Project Room in November 2022. During this time I experimented with a new participatory version of the work, letting audience take turns controlling the audio-visuals. We also had additional colourful lighting rig, a haze machine and a full sound bath collaboration with Glasgow Sound Bath, which I also co-run on Monday evenings.

Demo for University of Glasgow Psychedelic Society

MFA Participant from Glasgow School of Art

Demo for University of Glasgow Psychedlic Society

CCA GLASGOW

The public beta for this project was at the Centre for Contemporary Art Glasgow. This was directly after the first official research study which took place in the CCA Intermedia Lab. Film below by Paradax Period.

IKLECTIK ART LAB LONDON

On Tuesday 26th July 2022 at Iklectik London three artists presented a night of innovative work and research into technology, performance, film and sound. Anna Nazo, Josefina Camus and Leslie Deere presented major new projects that explore live audio-visuals, AI, VR and moving image through practice-based research. AI generated poetry with CGI brainwaves, an ambisonic VR colour/sound bath, and an autoethnographic film navigating the coastal forest of Valdivia, Chile with live feed from South America.